The Dance of Siva
Short Reads
Meykanda Sastras
14 Meykanda Sastras
Siva Jnana Bodham
Siva Jnana Siddhiyar
Irupa Irupakthu
Unmai Vilakkam (The Exposition of Truth)
Siva Prakasam
Thiruvarutpayan
Vina Venba
Nenju Vidu Thoothu
Supplementary Texts
Tirumandiram
Tattuva kattalei
An Outline Of Shivagnanabodham
Sivadvaita
Saiva Siddhantam Volume 1
Saiva Siddhantam Volume 2
The Dravida Maha Bashya
The Idea of God in Saiva Siddhanta
The Vision of Siva in Periyapuranam
Studies In Saiva siddhanta
Saiva Siddhantam With Special Reference To Sivaprakasam
Sivagnaana Munivar
The Saivaparibhasa-1982
Saiva Upanishads
The 63 Nayanmars
Tamizh Texts
Discourse
Saiva Siddhantha Overview
Sastras
Tirumurai
Kandapuranam
Thiruvilaiyadal Puranam
Periya Puranam
Sthala Puranam
Saiva Siddhantha Saints
Various Discourses
Dr. T.N.Ramachandran (1934-2021)
Prof. K. Sivakumar
Satguru Sivaya Subramuniyaswami (1927-2001)
Culture & Tradition
Iconography
General
Festivals of Tamil Nadu
Hindu Ideals And Their Preservation
Moral and Vernacular Instructions in Schools and Colleges
Treatment of Nature in Sangam literature
Corporate Life In Ancient India
Administration And Social Life Under The Pallavas
The Pandya Kingdom
History of the Pallavas of Kanchi
Education In Ancient India
Chidambaram and Nataraja
The Chola Temples
Tiruchendur Temple
South Indian Portraits
Two Thousand Years of Tamil Literature
Cultural Heritage of Hinduism
Awareness
Other Websites
Free the hindu temples
Indic Renaissance
Library
Short Reads
Saiva Siddhantham –A brief description
The Greatness of Siva Pujai
Understanding Siva Deekshai
Thodum Kuzhaiyum
Mahavidwan Meenakshi Sundaram Pillai
Dhaksha Kaandam
Svētāsvara upaniṭatam
Civapuṇṇiyatteḷivu
A short note on Devadasis / Devaradiyars
Siddhānta explanation of Kālī
Virabhadrar Iconography
The chOzha raids on the shrIvijaya-s: What really happened?
chOzha public administration: The chOzha temple: Centerpiece of a Masterpiece Administration:
The ritual worship of knowledge/विद्या & the reconstruction of sacred texts & teaching of them in local languages as sacred acts
How far can one push alaMkAra (decoration) for a deity in a temple in the name of creativity & public expectations?
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