Category: General En

List of general information providing a glossary of saiva siddantam and its history.

  • Kannappa Nayanmar

    Kannappa Nayanmar


    In pothapi nADu (name still in vogue in Andhra Pradesh), in a tribal village called uduppUr, was born this glorious nAyanmAr named kaNNappa. His father nAgan was the chief of the hunters & mother was the tattai. Both parents had a leonine appearance as befitting their heritage.

    cEkkizAr’s account of kaNNappa consists of 181 verses & spends many of it beautifully describing the way of life of the tribal hunters. nAgan & tattai were destined for greatness; they were destined to be the parents of kaNNappa. But, for a long time, they had no child.

    And then the parents held a great festival for Murugan (skanda) and as a result of his grace, a child was born.

    They named this boy tinnan as he was too heavy for his parents to carry, reflective of the weight of his glory that the world will soon see. He was the apple of his parents’ eye. He would play with rolling toys & with the dogs that the hunters raised.

    The boy was a little bit of a bully too. At only 6, he would kick the toy-houses built by his female friends. But he also tenderly played with the infants. Ah! How fortunate were they? For the three-eyed god, the king of dice-players, would play a game with tinnan’s fate……

    Soon, tinnan was initiated in the art of archery & sacrifices to the gods were made to mark this. Years passed & nAgan (tinnan’s father) felt the effects of an ageing body. The bow, he held skillfully for decades, was no longer gracing him. The time had come to pass the mantle..

    nAgan called for the priestess, an elderly woman, to perform sacrifices to the gods, to procure the divine blessings for his son’s first hunting expedition. The day arrived & cEkkizhAr describes in detail how he was adorned (geared up) and prepared for the hunt.

    He describes every detail. The woolen bandana around his head, the bracelets for his wrists and gear for his shoulders, the belt & the scabbard….And when he’s all prepared, the elderly priestess comes with the remains of the sacrificial offerings of toddy, honey, meat & rice.

    She tells him, “Even your father’s father was not blessed like you. You are blessed with a might that we cannot measure”. Truer words haven’t been spoken but the priestess herself does not know what is to transpire.

    So, tinnan left for the hunting expedition with the entire troop of hunters. This is how cEkkizhAr describes tinnan’s march with his men:

    The hunting dogs are unleashed upon the forest. Hogs, deers, bears, wild buffaloes, elephants and tigers fall prey to the hunters’ arrows. cEkkizhAr describes the gruesome state of the kill in graphic terms: the heads, slit necks, severed legs, entrails, etc….

    At last, one boar speeds away from tiNNan & his 2 companions, nANan & kADan. The latter 2 run after but are exhausted & at a loss for breath. But tiNNan, held by some to be arjuna, was going to claim this boar all for himself; unlike the boar over which shiva competed with arjuna.

    The 2 companions, made hungry by the chase, asked tiNNan’s permission to fry the boar-meat while tiNNan was thirsty. Ah! This is a thirst that will mark the beginning of the end of all of tiNNan’s thirsts! nANan tells tiNNan of the cool river called ponmugali in the nearby hills.

    Ponmugali is the tamil name of svarNamukhi river, running through and cooling the territory of the three-eyed lord of kAlahasti.

    nANan tells tiNNan about the kAlahastIshvara liNGa in the hills and even before setting off, tiNNan’s heart is filled with a longing to see bhagavAn. cEkkizhAr compares the steps on the hill that tiNNan climbs to the 36 tattva-s which, in shaivam, make up the universe.

    cEkkizhAr describes the look of grace of tripurAntaka (3 cities symbolically representing the 3 impurities of ANava, karma & mAyA) falling upon tiNNan, and tiNNan’s first encounter with the lord of kAlahasti. (Translation by T.N. Ramachandran: http://shaivam.org/devotees/the-puranam-of-kannappa-nayanar)

    He sees remains of flowers and leaves (the remains of an Agamika pUjA) but thinks that his bhagavAn should have proper food (i.e. meat):

    tiNNan takes the meat of the recently hunted boar that kADan was guarding, and without speaking much, as if possessed by a spirit, (They did not understand that he was possessed by the anugraha of the three-eyed god), took the meat as it was being fried and would chew to test it and he went back to the lord of kAlahasti and offered the choicest portions of the meat which he had chewed and tested. The next morning, a pious shaiva ascetic, the remains of whose proper pUjA were the leaves and flowers, arrives and shrieks at what he sees:

    And this happens on a daily basis. tiNNan sets off in the morning to procure meat whose suitability for the lord of kAlahasti he determines by chewing it first before bringing it to offer.

    At morning, shivagocarin, the orthodox shivabrAhmaNa ascetic, comes to find the remains of the previous night’s offering, deemed highly polluting by the hallowed Agama-s. He sweeps them away with a broom, performs the purificatory rites, does the Agamika pUjA, & leaves for tapas.

    The work of the three-eyed lord who bears the feared poison in his neck as a sapphire-like ornament began at the very moment the lord of kAlahasti looked upon tiNNan, even before tiNNan saw him; the work of anugraha (grace) had begun.

    shivagocarin implores mahAdeva to bring an end to this ghastly daily routine of removing bones & meat from the ground before doing pUjA. The great god appears in the dream of the pious tapasvi that very night & reveals that every act of tiNNan is an act of love & pleases him.

    mahAdeva tells the sage that if he stands behind the tree the next day, he’ll get to witness the blemishless love of tiNNan for himself. And so, that fateful moment arrived. shivagocarin stands behind the tree & tiNNan returns from the hunt, bringing flesh & water for the deva…

    The lord of kAlahasti makes one of his eyes bleed profusely. tiNNan panics and tries to wash off the blood, but to no avail. He applies the juice of the herbs he has, to no avail. He then resolves,

    “Flesh for flesh, it is said. I will tear out my own eye & place it on his”.

    Kannappa Nayanmar

    He gouges out his eye with his arrow & places it on the three-eyed lord and the blood stops gushing. tiNNan, overjoyed, goes into a frenzy-filled dance, in tune with his character & background. But the three-eyed lord was not done showing the greatness of tiNNan.

    He gouges out his eye with his arrow & places it on the three-eyed lord and the blood stops gushing. tiNNan, overjoyed, goes into a frenzy-filled dance, in tune with his character & background. But the three-eyed lord was not done showing the greatness of tiNNan.

    The god who drank poison so that the others could drink nectar; he could bear no more. He appears at that very spot and stays the hand of his servant, possessed of a zealous & violent love.

    “Stop oh kaNNappa!”, the destroyer of the three cities shouts thrice.

    Siva

    The muni of deep shivaj~nAna saw this wonderful act. All the devas headed by brahma came to shower flowers upon him. The vedas reverberated through that forest. “Be at my right side forever”, said mahAdeva & made tiNNan, made kaNNappa his own.

    Thus we end the recollection of the story of kaNNappa, one of the 63 nAyanmArs. The story of kaNNappa gives rise to a lot of interesting questions about Agama, bhakti, etc. I hope to discuss them at some point of time soon.


  • Why must Utsavams happen?


    For adīkṣitas (the uninitiated), dhūrtas (rogues), birds, animals & trees; to remove their ills & confer good upon them; utsavas are necessary.

    This is from Mahotsava-Paṭala of Śrīmat-Uttarakāraṇāgama. The śloka is often cited by learned Śivācāryas in the context of explaining the importance of temples in every town.

    Sure, they are for the benefit of Dīkṣitas & Bhakta-s in general. But at least they have immediate access to Śiva’s grace by virtue of the blessings they have. A Dīkṣita initiated into the Śaiva wisdom has his daily rites; the Bhakta has Śiva’s name on his lips.

    But what about others? Although Śiva’s grace is omnipresent, it is not readily accessible for all. That the Āgama mentions those less fortunate classes first shows its profound concern for the well-being of those who stand removed from an immediate access to Śiva’s grace.

    But what about others? Although Śiva’s grace is omnipresent, it is not readily accessible for all. That the Āgama mentions those less fortunate classes first shows its profound concern for the well-being of those who stand removed from an immediate access to Śiva’s grace.

    For this reason, so that the mantras residing with Śiva & mediating His grace to us do not withdraw from us due to the bondage & impurities we exhibit, purificatory rites are performed for the mūrti when the utsava is over & the mūrti returns back to the temple.


  • Other Philosophical Texts Quoted in Sivajnana Mapadiyam by Srīmat Mātavac Civañāṉa Muṉivar


    In Māpāṭiyam, Civañāṉa Cittiyār is referred to, by one hundred and sixteen Cupakkam Bhagas, seventy Civappirakāca Bhagas and seventeen ñāṉāmirta Bhagas.

    He also takes nine songs from Thiruvarutpayan. Also eight eight songs from Tirukkaḷiṟṟuppaṭiyār and Caṅkaṟpa Nirārākaraṇam respectively are referred by him. Six hymns from Tukaḷaṟu Bodham and five hymns from Pōṟṟip Paḥṟoṭai.

    All three hymns are quoted from Civañāṉa Cittiyār Parapakkam and Uṇmai Viḷakkam respectively. Also two songs each from Tiruvuntiyār, Viṉā Veṇpā, Aṉupūti Viḷakkam, Catamaṇik Kōvai, Neñcu Viṭu Tūtu.

    Each of the hymns from Irupā Irupaḥtu, Koṭikkavi, Tāyumāṉavar, Ciṟṟampala Nāṭikaḷ Kalittuṟai respectively, are quoted by the sage.

    In this way, by quoting the eighteen philosophical texts of Shivjnana Sidhyar etc., one can know the vast philosophical knowledge of the sage.


  • Ragas and Times


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  • Ancient Indian Economy & Administration

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  • Carl Sagan, Cosmos and Pongal

    Carl Sagan, Cosmos and Pongal

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  • 63 Hounds of Siva


    The hounds of Siva called ‘nayanmars’ in Tamizh were staunch Siva devotees who lived in Tamil Nadu and influenced the birth of the bhakti movement in Tamil Nadu. They were also hugely responsible for the resurgence of Saivaite movement in Tamil Nadu after an assault by buddhist and jain monks who had converted a few tamil kings to their religions respectively. With the royal patronage, the assault on Saivam was sometimes violent and not in respect with the princinples that those religions espoused. Thanks to the 63 nayanmars and few other saints that Saivam not only regained its rightful place but also rose back to prominence purely on the strength of its devotion and core universal principles. These 63 nayanmars can be found in almost all Siva temples after a Chola King felt that these hounds of Siva need to be honored and worshiped alongside Siva Himself.

    1Sundarar
    2Tiru Neelakanta
    3Iyarpagaiar
    4Ilayankudi Maranar
    5Meiporul
    6Viralminda
    7Amaraneedi
    8Eripatha
    9Yenathinathar
    10Kannappa
    11Kungiliya Kalaya
    12Manakanchara
    13Arivattaya
    14Anaya
    15Murthiyar
    16Muruga
    17Rudra Pasupathi
    18Nandanar (Thirunalai Povar)
    19Tiru Kurippu Thonda
    20Chandeshvara
    21Appar (Tirunavukkarasar)
    22Kulachirai
    23Perumizhalai Kurumba
    24Karaikkal Ammeiyar
    25Apputhi Adigal
    26Tiruneelanakka
    27Nami Nandi Adigal
    28Sambandar
    29Eyarkon Kalikama
    30Tirumular
    31Dandi Adigal
    32Murkha
    33Somasi Mara
    34Sakkiya
    35Sirappuli
    36Siruthondar
    37Cheraman Perumal
    38Gananatha
    39Kootruva
    40Pugal Chola |
    41Narasinga Muniyaraiyar
    42Adipaththar
    43Kalikamba
    44Kalia
    45Satti
    46Aiyadigal Kadavarkon
    47Kanampulla
    48Kari
    49Ninra Seer Nedumaara
    50Mangayarkkarasiyar
    51Vayilar
    52Munaiyaduvar
    53Kazharsinga
    54Idangazhi
    55Seruthunai
    56Pugazh Thunai
    57Kotpuli
    58Pusalar
    59Nesa
    60Sengenar (Kochengat Chola)
    61Tiru Nilakanta Yazhpanar
    62Sadaiya
    63Isaignaniyaar